How does apocalypse die in x men

At the end of this conflict Apocalypse is presumed deceased due to his two recent attempts at regeneration having been interrupted. After a brief battle on the Moon with his former servants, the Dark Riders who had joined Stryfe , Apocalypse is left for dead by Archangel.

The Dark Rider's new leader, Genesis - the adopted son of Cable, who had traveled to the present to ensure Apocalypse's rise and exact revenge on his father - plans to resurrect Apocalypse by sacrificing the lives of the people in villages neighboring Akkaba. During this time, Wolverine is held captive by Genesis, who attempts to restore Wolverine 's lost adamantium skeleton and turn him into a Horseman as a gift for Apocalypse.

However, Wolverine breaks free and mutates into a feral state, and then kills Genesis along with nearly all of the Dark Riders. Later, Apocalypse himself would repeat Genesis's scheme of reinforcing Wolverine's skeleton with adamantium again and brainwashing him into servitude, succeeding where Genesis had failed.

During the fight, Cannonball opens the sarcophagus containing Apocalypse's body, but finds it empty, and wonders if Genesis was either lying about Apocalypse, or was delusional, or maybe Apocalypse had gotten up and left by himself. It should be noted that Apocalypse was seen alive before this. After a long healing slumber, Apocalypse, fully restored, awakens with Ozymandias at his side and quickly learns of the present danger: Onslaught. He observes the conflict between the psionic entity and Earth's heroes with Uatu the Watcher, who suggests to Apocalypse a course of action; an alliance with the one who hated him the most, Cable.

Apocalypse surmises that Onslaught would be most vulnerable through the astral plane, and that he needs Cable for actual physical transportation to this realm.

Once on the astral plane, Apocalypse would remove the captive Franklin Richards, greatly weakening Onslaught. The plan succeeds, but is interrupted by the Invisible Woman, who had invisibly accompanied the pair, having suspected Apocalypse's motive in wanting to actually kill her son.

However, the reprieve in battle gave Onslaught the time to escape, prolonging the conflict. Following the events of the Onslaught saga, the gamma-spawned powerhouse, the Hulk and his human alter ego, Banner, are split into two separate entities; Hulk now draws upon energy derived from Franklin Richards' pocket universe; Apocalypse recruits the Hulk to become his Horseman, War, with intentions of using the Hulk's nexus-energy to overcome the Celestials. To test this newest recruit, Apocalypse set War against the New World Order, a shadow cabinet organization that intends to conquer the world.

However, Hulk comes to his senses after injuring his friend, Rick Jones. Despite this apparent setback, the incident was still a victory for Apocalypse as it was a successful testing of newly understood Celestial technology.

Apocalypse activates the self-destruct mechanism on the sword of War, which the New World Order had obtained, destroying their headquarters.

The Hellfire Club later awakens Apocalypse's long-hidden Harbinger from its deep sleep; originally a normal man, whom Apocalypse in the 19th century once left to incubate for years. Apocalypse releases his Horseman Caliban and his scribe Ozymandias from his possession, to fend for themselves, if they were to survive the coming events.

Cable with the Avengers battles the Harbinger, but are unable to stop it. Apocalypse then appears, activating a bomb inside the Harbinger which would destroy all of New York, but Cable manages to prevent this disaster. When Magneto is disrupting Earth's magnetic field, Apocalypse sends a Skrull impersonating the mutant Astra having dealt with the original Astra to stop the Master of Magnetism.

Intending to start an all-out war between the humans and the subterranean-dwelling Deviants as part of his plan to test the strong, Apocalypse sets off nuclear warheads at Lemuria, causing the Deviants to further mutate which also restores Ikaris's father Virako to life.

Apocalypse launches an attack at San Francisco, using a mentally controlled Deviant, Karkas, now a gigantic monster, that the Eternals are forced to battle. Apocalypse is confronted by his centuries-old foe, Ikaris, who now is a Prime Eternal.

Although, Apocalypse defeats Ikaris, the Eternal still succeeds in destroying his ship and thwarting his plan. Supposedly lost diaries of the mutant seer Destiny surfaced, telling of twelve beings that could defeat Apocalypse once and for all. Various mutants, all listed in the prophecy, are abducted by Apocalypse's Horsemen including a faction of the Skrulls. The Twelve legend was in fact a ruse, orchestrated by Apocalypse himself; once the Twelve are assembled, Apocalypse intended to use them to transform himself into a godlike entity beyond the Celestials.

It is revealed at the end of this story arc, that Apocalypse's physical form has been burned out due to the vast amount of energies he has under his control, forcing him to wear a bio-armor like his future counterpart , and now plans to use Nate Grey as a host body for him to move his energy and consciousness into. The X-Men confront Apocalypse as he is close to merging with Nate, but are unable to stop him. Cyclops however, pushes Nate Grey out of the way, merging with Apocalypse instead.

While the merge is successful, Apocalypse's aim for unlimited power is not, and he attempts to complete the transformation by warping reality into various scenarios see Ages of Apocalypse.

Apocalypse hoped to lull the Twelve into empowering him with their energy, but eventually, the mutants realize their true predicament and Apocalypse teleports away. An amnesiac and powerless Cyclops regains control of the merged form, but Apocalypse begins to re-emerge. Jean and Cable are alerted to his location in Egypt, where Jean in the end manages to free Cyclops by telepathically tearing out Apocalypse's essence from her husband's body, rendering Apocalypse in an incorporeal astral form, which Cable apparently destroys using his Psimitar.

Due to the events of M-Day, in which most of the mutants lost their powers, Apocalypse was revealed to be alive and well. The techno-organic virus, with which he long ago infected Cable, was revealed to be the means by which Apocalypse's spirit reconstituted itself. With only a drop of his blood into a vat of organs and blood, the virus would rewrite the genetic code of the material within to form a body for Apocalypse.

Instead she strikes En Sabah Nur on the neck, and seeing it is not his Horseman, he proceeds to attack and strangle the mutant, revealed as a disguised Mystique. Apocalypse battles all of the X-Men at the same time. He orders Xavier to reveal his location, and the telepath goes on to attack Apocalypse at the Astral Plane.

Although Xavier is able to overpower him at first, enough so that Apocalypse releases his grip on Mystique, En Sabah Nur quickly gains controls and finds Xavier's hideout. However, his attempt at getting there is interrupted by Magneto, who, seeing the errors of his ways and refusing to let his former friends die, switches sides.

While the X-Men fight Apocalypse, Jean ventures into the astral plane and learns from Xavier that Apocalypse is physically weakened after centuries in the same body. Jean and Magneto join forces and dismantle Apocalypse's armor, with Jean tapping into the Phoenix Force. Once the Phoenix Force was unleashed, En Sabah Nur screamed in immense pain as his frail true form is exposed, Magneto pierces him with a tremendous torrent of high-speed metal projectiles, Cyclops fires his laser beam.

Realizing he is outmatched, and in immense pain, En Sabah Nur attempts to teleport away; however, Storm, shocked by her leader's harsh words towards Angel following his death and his brutality towards Mystique and Quicksilver, also switches sides and uses lightning to prevent him from leaving. He then finally accepts his death as his fate, after which Phoenix incinerates him into dust, finally ending the threat for good.

En Sabah Nur, or commonly known as "Apocalypse", was an immensely powerful mutant as well as the world's first mutant. Because of his "godly" status in the world, he had developed a God-complex, having been worshiped as a deity over the years in various places. En Sabah Nur was born with numerous superhuman abilities, so much so that he proclaims himself as not only a god, but a "savior" of sorts, meant to establish a new world in the wake of the previous one.

He is a ruthless and manipulative mutant, as seen when he uses his manipulative streak to recruit mutant followers. Apocalypse is extremely callous, shown when he looks down at a deceased Angel and only says that Angel was useless.

While he is tremendously powerful, he is also shown to be sociopathic, having no care for the consequences of his actions, and exposes one's weakness on a psychological level for his own personal gain. Apocalypse even has no qualms about killing other mutants who would dare defy him.

He takes his violent tendencies to an extreme level as shown by when he attempted to strangle a defenseless Mystique to death and carried on violently beating Charles in the Astral Plane even after he had been defeated simply to prove a point even appearing to be enjoying it to some degree.

Apocalypse is shown to be quite delusional, as he honestly believes that his actions are what's best for mutantkind and humanity as a whole, and for the sake of creating a better world after destroying the current one. He also referred to the world leaders as false gods, at the same time ignoring the fact that his followers betrayed him after realizing that he is not a true god as he led them to think. Neither is very easy. It is actually not entirely clear if he can be completely killed as in typical comicbook fashion he tends to come back to life.

Apocalypse has been shown going toe to toe with all of the X-Men and X-Force combined. He also has been shown out hulking the Hulk. Everytime Apocalypse it dies it tends to involve one of these 3. But by and large, these films were at least mostly original, like opening the first X-Men with a flashback to Auschwitz or the use of a s setting in X-Men: First Class or even how time travel was used in X-Men: Days of Future Past.

But in Apocalypse , originality has been replaced with derivative apocalyptic imagery you could find in any Roland Emmerich disaster movie while Oscar Isaac delivers forgettable dialogue in terrible Ivan Ooze cosplay. A series that could once be counted on for at least glimmers of freshness had totally given up. In this moment, it becomes apparent that the sense of stagnation that has gripped so many blockbuster franchises before has ensnared the X-Men movies quite fiercely, not too long after the franchise had new life breathed into it in the form of the younger-skewing X-Men: First Class and the legacy sequel Days of Future Past.

And while would bring us the last great and possibly best X-Men movie in the form of James Mangold 's dramatic spinoff Logan and 's Deadpool 2 was financially successful, Apocalypse essentially killed any remaining interest in the main X-Men franchise itself and foretold doom for its future.

Fox, and any music by Carly Rae Jepsen. Image via 20th Century Fox. Share Share Tweet Email. Douglas Laman Articles Published.